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During the Renaissance, well-liked characters in French farce wore false beards of lamb’s wool and whitened their faces with flour. It is known that on the stage of Elizabethan England, actors playing ghosts and murderers powdered their faces with chalk and that those showing as blacks and Moors had been blackened with soot or burnt cork. Little try was made to achieve historical accuracy in either make-up or costuming until early in the nineteenth century.